1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.  Related Paintings of Corrado Giaquinto :. | The birth of the Virgin | The Holy Spirit | Justice and Peace | Birth of the Virgin | Saints in Glory S |
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Arthur hacker,R.A.
1858-1919 was an English classicist painter. Born in London in 1858, Hacker was the son of Edward Hacker, a line engraver specialising in animal and sporting prints (who was also for many years the official Registrar of Births, Marriages and Deaths for Kentish Town in the St Pancras registration district, north London). In his art he was most known for painting religious scenes and portraits, and his art was also influenced by his extensive travels in Spain and North Africa. He studied at the Royal Academy between 1867 and 1880, and at the Atelier Bonnat in Paris. He was twice exhibited at the Royal Academy, in 1878 and 1910, and was elected an Academician in 1910. In 1894 he was the subject of a bust by Edward Onslow Ford. An original portrait by Hacker of Sir Alfred Keogh by hangs in the RAMC HQ Mess at Millbank, London. He died in London on November 12, 1919. In 1902,
Thomas De Keyser
1586-1667 Dutch Thomas De Keyser Gallery De Keyser excelled as a portrait painter, and was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt. His portraiture is full of character and masterly in handling, and often distinguished by a rich golden glow of color and Rembrandtesque chiaroscuro. Some of his portraits are life-size, but the artist generally preferred to keep them on a considerably smaller scale, like the famous Four Amsterdam burgomasters assembled to receive Marie de Medici in 1638, now on display at the Mauritshuis museum in The Hague. In addition to portraits, he also executed some historical and mythological pictures, such as the Theseus and Ariadne in the Amsterdam town hall, now the Royal Palace. De Keyser also worked as an architect. From 1662 until his death in 1667 he oversaw construction of the new Amsterdam town hall, now Royal Palace. De Keyser was a son of the architect and sculptor Hendrik de Keyser. We have no definite knowledge of his training, and but scant information as to the course of his life. Aert Pietersz, Cornelis vander Voort, Werner van Valckert and Nicolas Elias are accredited by different authorities with having developed his talent. In the 1640s, de Keyser received very few painting commissions, and was forced to seek income elsewhere. He owned a basalt business from 1640 until 1654, when he returned to painting. The Rijksmuseum in Amsterdam has the largest collection of paintings by de Keyser. His work can also be seen at the Louvre in Paris, the Metropolitan Museum of Art in New York City, the Hermitage in Saint Petersburg and the National Gallery in London, among others. The Stedelijk Museum modern art museum in Amsterdam carries a statue of de Keyser on its facade. A street in Enschede is named for him. A contemporary namesake of the painter was Thomas de Keyser (Utrecht, 1597-1651), an actor and nephew of Hendrick de Keyser.
Thomas Hudson
Thomas Hudson (1701 - 1779) was an English portrait painter in the 18th century. He was born in 1701 in the West Country of the United Kingdom. His exact birthplace is unknown. Hudson studied under Jonathan Richardson in London and against his wishes, married Richardson's daughter at some point before 1725. Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist. He lived at Deep Cross, Twickenham. Many assistants were employed by Hudson, to help with his paintings. Joshua Reynolds and Joseph Wright were students of Hudson. He retired toward the end of the 1750s.